Poets Against War continues the tradition of socially engaged poetry by creating venues for poetry as a voice against war, tyranny and oppression.

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Daniel Rose

32 years old
Washington, DC

Writer and school administrator.  Native Washingtonian.  MA in English from the University of Texas.


A First Protest

Often we have come here for frisbee.
On the greenswards of the Mall
folded sweathsirts marked our base baths,
our ends zones, the goals
between which we dashed.
This has been our privilege –
to run at dusk by the monuments,
the museums:  the Capitol itself
made a solemn mile marker
and the pebbles of the Mall
cushioned with a pleasant crunch
the footfalls of our Nikes.

But what is this now?
What has this hill sprouted?
Who are these legions with signs?
Why do we stand where mud is?
Why are so many cheeks and noses
changing to red in the flat cold sun?
We are only one side of the hill.
We have only a partial vantage.
But look, we are vibrant and many.
Parti-colored, multi-hued, motley
slews of folk crowding into the trees  
and lining  now the willowed banks  
of this  still pond  by Constitution Ave.

No, this is not what was intended.
This is not what meets our tastes.
We were the tenth, silent Brady.
We were ghosts in Beaver’s house.
The world was over when we got here.
Yet it was promised us:  a virtual world
stimulating, quick, clickable:
we might photoshop a nose ring
on Mona Lisa, or find investors
for our javascript animations.
It was given us:  to watch Nickelodeon
to laugh at Scooby Doo
to dive into the mosh pit
to quote the Book of Seinfeld
to quote the book of Simpson.
Bring it back, bring it back:
the Bronco rolling down the freeway
the shootings at the high school
the famous thong, the famous stain
the shark attacks, the intern in the park:
we will speak to you in focus groups
we will tell you our opinions
and tolerate the contrary view:
but listen to this radical now
from the stage obscured by signs
he says, yadda yadda justice
he says, yadda yadda oil
I  want to sit on the flat wet grass.
I  want to go on home and watch t.v.

Yet here we are beneath the leaves
on Constitution, shuffling in rows
with strangers, beneath the dopplering
beat and drone of helicopers.
The march turns left into the open,
into the sunlight, into the broad
familiar street that passes the Elipse,
the Corcoran, the shining dimpled tin
of vendor carts. The column stretches on
beyond our view.  And now the chant
begins, a mighty single chant
spreading through the vast column
in throes and fits.   This is now
our business, to join the chant
to let it come, like a hiccup
at first, like a retch --
until  the mighty vast single mass
voice pours hoarsely from our throats:
for Rather will not tell you
Jennings, Lehrer, Brokaw, Russert
will not tell you, nor direct your gaze
to the bulldozers filling in the trenches
the babies  without faces
the soldiers without faces
the flesh in the fireball
the slugs ripping through the plaster
the angled limbs of the piled dead.
So it falls on me to tell you:
that  one October afternoon
after Wellstone’s crash
ten times ten thousand throats
threw syllables slowly
into air:
Peace.  
Now.


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