Poets Against War continues the tradition of socially engaged poetry by creating venues for poetry as a voice against war, tyranny and oppression.

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Linda Brown

From 1970-1990, I taught poetry writing and courses about American women poets at the University of California, San Diego and other colleges in San Diego County. I've written for several alternative newspapers, in 1988 winnning a national award for "Alcohol Is Killing Us," an article about the Blue Bay Recovery Center on the Flathead Indian Reservation in Montana.  I currently work in a branch of the San Diego Public Library where I curate the art exhibits and organize cultural events.


Mikayo and the Gulf War


To Mikayo, an emperor among cats


I went to bed early
the night we attacked Iraq,
was awake an hour later
as if someone had tapped
my shoulder, said, It's war.

I'd had a war before
when I was very young.
A siren hung
outside my nursery window
with its blackout curtains,
rumors of German submarines
caught in steel nets
guarding East Coast harbors.

I don't want to be alone with this,
I thought. Mikayo, I mentally called.
Mikayo. I went to the front door.
At full gallop he came bounding in
running so fast he would have smashed
his head on wood if I hadn't opened the door
just at that moment.

Companion, I have called no human
to my side this way: saying your name
in my mind, and you came, you came.

1991



Pearl Harbor's Child


I was born a week after Pearl Harbor
into a crib with an air raid siren.
It wailed nightly from the elm outside
until I went rigid as a hypnotist's steel board,
too scared--even in my mother's arms--to cry.

We moved cross-country when I was two
so my father could build the air strip
at Whidbey Island. There I was jumped on
by Zombie Doggy, a big red Irish setter
who loved me so much he knocked me down.
When they practiced firing on the artillery range,
Mother had to drive me to the other side of the island
because I screamed & cried and cried.

There are two things infants are afraid of:
falling and loud noises. This was my baptism
into touch and sound--being knocked flat
on my back by a dog licking my face,
the rage of artillery shells and sirens.

So much fear. What to do for it
but become a poet? Still afraid
of being knocked on my ass by love,
still living in a world at war.


Strange Birds


I noticed them at once
because of their fixed wings
that neither flapped nor soared.
Two of a kind they were, a species
I hadn't sighted in the tropics
where frigate birds lazily measured
the air and pelicans dropped so close
to my jungle crow's nest I could see
tendons in their wings.

These birds were new to me.
Wings stiff to their sides,
they traveled very fast
as if a grey line suspended in the sky
drew them on.

And after them no birdcalls, no cries:
a noise of thunder split
the sky.  They neither dived nor rose
but moved out over the ocean
as one steady scream.

These were birds that did not eat food
or rest on branches.  They consumed
the bluest air, ate the safety of ants
under pine needles and of villagers
thousands of miles away.  These birds swallowed
the small throats of millions of wrens.

The sky over Nayarit has none of these bullets
in the air with men strapped inside--
this strange unmated pair, disturbers
of a world fragile as an eggshell
under the shadow of their wings.


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